Teddy scratched the back of his neck. "Well, it was more along the lines of lerning a fighting style other than hitting things really hard and hoping it works."
"Hitting things hard and hoping it works is the hallmark of every fighting style. Barfight, kung fu, krav maga, it's all developed from out hitting the other guy." John manfully wiped masculine sweat from his tight ass brow.
"Right. And he's quicker than most people. He can teach you how to dodge, to do the formal thing, probably. If you really want to win a fight, you've just got to win it. By all means necessary."
"I don't think crushing someone's ribcage because I can't control my strength will go over too well back home," Teddy replied. "It would probably get me arrested for police brutality or something."
"Sometimes ribcages need crushing. 'Specially if they're made of chromoly alloy and attached to something that's gonna rip your head off and stands 30 feet tall with lasers. Learn to control the pressure. Sometimes a cracked rib is worse than being knocked out. It's not always going all out that wins, it's knowing when to go all out. Strategy." John stares at the heavy bag, wondering if it could take Ted if he's really what he says.
"Better. Keep it abotu there." John moved to the side, critically eying Ted's muscular body, imagining it covered with John the stance, the technique, the movements.
"No, it's a good idea. If you're some big badass alien shapeshifting mutant, you need to control it. Hone it. If you abuse the power by not knowing how to use it, it's as bad as never using it. Balance and control. Those are the keys. So. What happened?" John unconciously pulls himself into a horse stance.
"You lost focus. You lost, Teddy. The second, the split second you stop thinking about your goal, you lose. You die. They die. They live. When you're in teh fight, you must focus on the goal to totality. That is the secret of winning." John started moving in Tai Chi. "Your goal will change during the fight. Are you fighting to win? To protect someone? To kill? Are you more important than they? THey more than you? THis is what goes through your mind, what gets synthesised in that melon of yours in the fight. There is no fighting dirty. There is only losing and winning, and it's far easier to lose. Whatever the goal is, that is teh reason you fight."
John turns to the punching bag, repeating his slow, rythmic movements, but at more than double the speed, striking the heavy bag in quick movements, directing it in different directions as it swung like a beaten pendulum. JOhn ended hte movements by striking the bag to a stop.
He turned to Ted. "If you have the power to strike like a fly and the power to level a building, you need to learn the extremes and the in betweens. Too much or too little can be devastating."
Teddy plopped down on the floor and pulled his knees toward his chest. All the crap he thought he had managed to work through over break? Flooding back to him.
Teddy stared off at a random point in the room, not really looking at it. What Cap had said to him before leaving kept playing in his head. He didn't realize John was calling his name until the second time.
"I can teach you to win. I may not be fair, and I may be hard on you, but that's what gets the job done. When d'ya wanna start?" John lays on the floor, hands behind his head.
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"Hey John!"
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emorhythm. "Yo, Tedster."no subject
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manfullywipedmasculinesweat from histight assbrow.no subject
oh so arousednervously. "Me hitting people really hard could get someone hurt."no subject
and flexed his naked pecs to the tune of Duelling Banjos.no subject
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and stands 30 feet tall with lasers. Learn to control the pressure. Sometimes a cracked rib is worse than being knocked out. It's not always going all out that wins, it's knowing when to go all out. Strategy." John stares at the heavy bag, wondering if it could take Ted if he's really what he says.no subject
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making a delightful manwich of sweaty hawtnessto hold the bag steady.no subject
He pulled his arm back and punched it weakly. Getting a happy medium between weak and 'punch you through a wall' was difficult.
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Ted's muscular body, imagining it covered with Johnthe stance, the technique, the movements.no subject
He zoned out and lost focus on keeping his strength down, hitting the bag more than a bit harder than he intended.
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John turns to the punching bag, repeating his slow, rythmic movements, but at more than double the speed, striking the heavy bag in quick movements, directing it in different directions as it swung like a beaten pendulum. JOhn ended hte movements by striking the bag to a stop.
He turned to Ted. "If you have the power to strike like a fly and the power to level a building, you need to learn the extremes and the in betweens. Too much or too little can be devastating."
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"Okay."
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"Would you teach me then?"
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"CUz I totally lost the fight inspirational speech thing, dude."
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